January–March 2026 Drawing, journalism and the politics of visibility
I begin this first field note not as a report, but as a trace.
Between January and March 2026, my work moved across newspapers, museum spaces, universities, public walls and editorial platforms. What connects these places is not geography or format, but a recurring question: who controls visibility, and under what conditions?
I’ve just published the first issue of CHANNEDRAW — FIELD NOTES. Read it here: https://channeldraw.substack.com/p/channedraw-field-notes-01
Over the past 3 months I worked across:
– newspapers
– public space
– exhibitions
– and a continuous flow of visual reporting
More than 40 stories, from Gaza to Iran to New York. This is not a portfolio. It’s a field log.
