ChannelDraw
Gianluca Costantini
Women’s March action with portraits by Gianluca Costantini at the Hart Senate Office Building, Washington, August 5, 2026

Gianluca Costantini · Drawings, solidarity and public action · United States

A face becomes a drawing.
A drawing becomes a presence.
Someone carries it into the room.

Portraits, campaigns and acts of remembrance confronting the human consequences of immigration enforcement—and following the images from the studio into the hands of others.

Hart Senate Office Building, Washington, D.C., August 5, 2026. Photograph: Leigh Vogel / Getty Images for Women’s March.

The project

Keeping a person
in public view

Before an image can be carried in a demonstration, someone has to stop and look at a face.

This body of work brings together Gianluca Costantini’s drawings about U.S. Immigration and Customs Enforcement, the agency known as ICE, and the people affected by immigration enforcement. Some portraits remember lives lost. Others stand alongside people facing prosecution in connection with protests. Each begins with an individual name.

The works take different routes: an article, a downloadable poster, a union campaign, a vigil. Following those routes reveals how a drawing becomes part of collective action—and how the people who use it extend its meaning.

01

Washington · August 5, 2026

The faces enter
a place of power

Inside the Hart Senate Office Building, protesters lent their bodies to people who could no longer be there.

During the Women’s March “Abolish ICE” action, banners descended from the balconies and demonstrators lay on the atrium floor. Costantini’s portraits were held upright, placed beside bodies and carried through the building.

The setting mattered. These faces entered a building housing U.S. senators’ offices, bringing remembrance into the space of political decisions. The drawings linked the scale of the institution to the scale of a single life.

The action ended with arrests. Its photographs preserve the encounter between the portraits, those carrying them and the officers who removed the demonstrators.

Read the Washington story ↗
Portraits carried during the Women’s March die-in at the Hart Senate Office Building
Photograph: Leigh Vogel / Getty Images for Women’s March.
Women’s March protest and portraits inside the Hart Senate Office Building
Washington, August 5, 2026. Leigh Vogel / Getty Images for Women’s March.
Women’s March protest and portraits inside the Hart Senate Office Building
Washington, August 5, 2026. Leigh Vogel / Getty Images for Women’s March.
02

The Washington collection

Every image begins
with a name

A name, a life, a portrait. Meet the people represented in the Washington collection.

Use the dots or arrows to move through the drawings and their stories. The two unnamed works retain the limits of what is known about them.

Renee Nicole Good — drawing by Gianluca Costantini

Colorado · Minneapolis

Renee Nicole Good

Renee Nicole Good was a poet, writer and mother of three from Colorado. She studied creative writing at Old Dominion University, where she won a poetry prize in 2020. Her family remembered her warmth and the care she showed others. She was 37 when an ICE officer killed her in Minneapolis on January 7, 2026.

Sources: Associated Press · Family remembrance · Old Dominion University

View the drawing ↗
01 / 11

Drawings: Gianluca Costantini / ChannelDraw. Biographical sources are linked beside each portrait.

Women’s March · Abolish ICE

From portraits
to collective action

Abolish ICE — Women's March campaign banner

A drawing can become a poster, a public witness and an invitation to act.

Women’s March connects the call to abolish ICE with the lives of women, families and communities affected by detention and immigration enforcement. Its campaign calls for abolition rather than reform, and asks Congress to act.

The campaign’s August 4, 2026 update lists eleven people killed in immigration enforcement encounters and fifty-four deaths in custody since January 20, 2025. These are the campaign’s dated figures, rather than a live count.

Gianluca Costantini’s eleven portraits appear in the campaign’s Killed by I.C.E. poster set, available as an 11 × 17 inch PDF. An advocacy toolkit and a petition to Congress connect the images with opportunities for collective action.

The eleven Killed by I.C.E. posters featuring portraits by Gianluca Costantini
Campaign graphics: Women’s March. Portrait illustrations: Gianluca Costantini / ChannelDraw.

Source: Women’s March, Abolish I.C.E.

03

Prairieland · Spokane

Drawing alongside
those who protest

The project also follows the people facing prosecution in connection with opposition to immigration enforcement.

These portraits carry a different responsibility from the commemorative drawings. They keep living people visible while their stories are being told through charges, court proceedings and campaigns of support. The linked articles document the cases as reported at the time of publication.

Prairieland · A collection made to circulate

Solidarity in print

For the Prairieland Defendants, Costantini made a collection of portraits freely available for posters, publications, exhibitions and public events. Sharing the files gives other people a practical way to carry the stories further.

Thirteen portraits introduce the people behind the names: their work, relationships, interests and everyday lives.

Daniel Sanchez-Estrada — drawing by Gianluca Costantini

Prairieland · Portraits in solidarity

Daniel Sanchez-Estrada

Daniel, known as Des Revol, is a tattoo artist whose drawings often reflect his commitment to animals. He enjoys writing poetry, reading, trying new vegan recipes and spending time with loved ones. His friends also describe his affection for opossums, which he has sometimes fostered.

Source: Prairieland Defendants · personal profile

View the drawing ↗
01 / 13

Spokane · Three individual portraits

THE SPOKANE 3

The Spokane series brings together Jac Archer, Justice Forral and Bajun Mavalwalla II. Their portraits accompany the account of the protest outside the local ICE office and the subsequent federal case.

A group name can help a campaign travel. Drawing each person separately preserves the individuals within that name.

Jac Archer — drawing by Gianluca Costantini

Spokane, Washington · The Spokane 3

Jac Archer

Jac Archer is a parent, law graduate and longtime Spokane activist. A former co-executive director of Spokane Community Against Racism, they combine community organizing with policy advocacy. Eastern Washington University named them Activist in Residence in 2021. Their work has included workshops on protest and organizing, and they are one of the three defendants in the Spokane case.

Source: Spokane 3 Support · About the defendants

View the drawing ↗
01 / 3
Read the Spokane Three story ↗
04

After Washington

The faces continue
to speak

The Women’s March action photographed by Kristine Jones
Photograph: Kristine Jones.

A protest can end in a single afternoon. An image can keep moving long afterwards.

After the arrests, photographs of the Washington action carried the portraits into new contexts. Kristine Jones’s images document their presence among the protesters and the police. The follow-up article connects that public memory to demands for independent investigations and access to evidence.

The drawings hold attention on the people at the centre of those demands. Each time someone prints, shares or carries a portrait, a name re-enters public view.

Read After the Arrests ↗
Washington action — photograph by Kristine Jones
Photograph: Kristine Jones.
Washington action — photograph by Kristine Jones
Photograph: Kristine Jones.
From a face on a screen to a portrait held in someone’s hands: the work continues through the people who carry it.

June—August 2026

A shared thread

June 27 — July 10

Making work available

Articles on Daniel and Maricela lead into the freely downloadable Prairieland portrait collection.

July 8 — 16

Remembrance and care

The portraits of Lorenzo and Johan accompany their stories; the nurses’ campaign gives Lorenzo’s image another public role.

July 17

Three faces in Spokane

Individual portraits bring Jac Archer, Justice Forral and Bajun Mavalwalla II into the visual record.

August 5 — 8

Into the Senate building

The Women’s March action brings the portraits into Washington. Two articles follow their presence and continued circulation.

Drawings made to be used

Print. Share.
Keep the names visible.

The work can travel beyond this page.

The Prairieland drawings

High-resolution portraits made freely available for campaigns, publications, exhibitions and public events.

Download the portraits ↗

When sharing the drawings, keep the names with the images and credit Gianluca Costantini / ChannelDraw. Photographs are credited separately to their respective photographers.

Continue reading

The articles behind
the project

An ongoing project by Gianluca Costantini / ChannelDraw

Washington photographs: Leigh Vogel / Getty Images for Women’s March; Kristine Jones. Social documentation: Women’s March. Drawings: Gianluca Costantini.

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