Kendra Mylnechuk Potter was adopted into a white family and raised with no knowledge of her Native parentage. Serving as both investigator and witness, this beautifully personal film documents Kendra on her journey as a new mother to discover her Native identity.
Kendra Mylnechuk Potter was adopted into a white family and raised with no knowledge of her Native parentage. Serving as both investigator and witness, this beautifully personal film documents Kendra on her journey as a new mother to discover her Native identity. Upon finding her birth mother April, who is also a Native adoptee, Kendra returns to her Lummi homelands in Washington State, and uncovers a wealth of emotional and spiritual beauty and pain. The film also serves an entry point into a more complicated national issue – intentional government actions to erase an entire culture, including the 1958 Indian Adoption Project, which removed Native children from their families and placed them in white homes in an effort to “kill the Indian and save the man.” This poignant story provides living proof that history is not only the past, but the present too.
“I identified as white. This strange confusion of white guilt, and native anger. Where does it sit in me? And how do I sit with both of those things?” – Kendra Mylnechuk Potter, film participant, Daughter of a Lost Bird Continue
